42,581 plays

tidesss:

Remember not our faulty pieces,
Remember not our rusted parts,
It’s not the petty imperfections that define us but
The way we hold our hearts,
And the way we hold our heads

(Source: my-dispute, via porcelaincheeks)

mtakara:

ombyes:

mtakara:

inking Natasha

does inking like that make you nervous because it would make me nervous

nervous? no, not really. it’s actually very relaxing once you get used to that. like a therapy almost :)

Fashion! Put It All On Me ➝  Rami Kadi f/w 2013-14 [3/4]

(Source: quarrterquels, via englishsnow)

manathedarkmagiciangirl:

torchy-worchy:

dumbledores:

cool-jelly:

jdotslack:

feeling-salty:

I will never not reblog this, because it just gives me so many feels.

aww.

damn…

what do you mean drawn better thats the best fucking stickman ive ever seen fuck you

two kinds of people

(Source: psuedofolio, via gnash-away-at-my-insides)

theonlymagicleftisart:

Latest Work by Laura Zalenga

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Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling.

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